Reed Burgoyne

reed@reedburgoyne.com

about / resume / urban inks / post expose

The Cooper Union End Of Year Show
Typeface and identity designed for Cooper Union's student curated end of year show. The typeface is based off Stephen Doyle's new logo for the school, using the oblique geometry and structure of the grid to create each character, while the identity aims to deconstruct the characters. Special thanks to the Cooper Union Design Center for all thier help.

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Whatsoever Things Are True.
Whatsoever Things Are True was the senior thesis collaboration between myself David Maron, Rachel Matts, and Erik Winkowski, at The Cooper Union School of Art. The title and collaborative inspiration began with the participants' individual interpretations of the phrase "Whatsoever things are ture," which appears in the 1859 charter of the Cooper Union as the school's motto. Special thanks to Mike Perry for publication of the show's zine. More info here

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The Shirt Project
Info graphics based on a newspaper article of the designers choice and printed on t-shirts. The projects intention is to reach a non-newspaper reading demographic. More here

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Gold
Selection of Rene Daumal's novel Mount Analogue calligraphically drawn and bound into a book.

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Silkscreen Reclamation Project
Two posters designed and screen printed to experiment with typography as image and form using a quote by Mark Twain in regards to the relevance of words. Presented in a collaborative exhibition at the Cooper Union between graphic designer Paul Sahre, myself and four fellow design students: David Maron, Rachel Matts, Sascha Mombartz and Erik Winkowski.
More Info here

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Subliminal Mineral
A book designed to examine the mountain as a religious and iconographic symbol within the world of modern and
popular culture.

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CMYK Process Print
A 4-color process screen print experimenation using a found torn 1980's Revlon advertisement.

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Panache Magazine Cover
A magazine cover design using geometric form in 3-D for Panache #26.

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Cooper Union Open House Poster
A mailer which converts into a poster designed for Cooper Union's 2008 open house.

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Nylon Magazine
Photo-illustrations designed for Nylon magazine. Nylon covers designed by Michele Outland.

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Post Expose///
Two posters designed and screen printed for the Post Expose/// collective series. The objective was to promote Post Expose/// by showcasing the collectives diverse group of artists in residence.

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Problems/Solutions
A series of posters designed for Allen Hori's advanced design class at Cooper Union. The objective was to edit and reduce an idea to its most simple pricipal, my idea stating that there is always more solutions than problems.

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San Francisco Museum of Modern Art
A collection of screen prints shown at the SFMOMA exhibition: 265 and Counting.

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House Industries
Letterpressed cards designed for Hannes Famira's experimental typography class at the Cooper Union. The assignment
was to design and create cards that would promote the launch of the House Industries typeface Paperback, designed by
John Downer.

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Graphik Magazine
A design collaboration between myself, Sarah Mead, and Mogollon. Our collaborative successes were showcased in Graphik magazine. Cover image by Ben Long.

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Legion Bar
A spacial design collaboration between myself and Sarah Mead for the Legion Bar in Brooklyn, New York.

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NeoGeo
Design work included in Die Gestalten Verlag publication, NeoGeo: A New Edge to Abstraction.
Cover designed by Bjorn Copeland.

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AIGA 365/28
A poster designed for the UK music group Zero 7. Included in AIGA's 365/28 competition and a recipient of a AIGA 2008 Certificate of Excellence.

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Bicycle Awareness Posters
A poster campaign to raise awareness among drivers and pedestrians to the dangers and joys of bicycling.

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Showpaper
A proposal for Brooklyn based indie music calendar. Original typography designed to convey the essence of word-of-mouth press, which is so prevalent in DIY music and art.

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New York Magazine
An illustration for The Odd Couple on Broadway in New York Magazines culture pages. Cover designed by NY Mag.

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All content © Reed Burgoyne 2002-2009